Articles/essays about Gordon Crosse

Blacker, Terry. “Gordon Crosse: Towards a Style.” Tempo, no. 155, 1985, pp. 22–27., http://www.jstor.org/stable/946419.

Walsh, Stephen. “Four Gordon Crosse Premières.” Tempo, no. 86, 1968, pp. 22–26., http://www.jstor.org/stable/944200.

Burn, Andrew. “Gordon Crosse at 50.” The Musical Times, vol. 128, no. 1738, 1987, pp. 679–683., http://www.jstor.org/stable/964805.

Palmer, Andrew. “Gordon Crosse.” Encounters with British Composers, NED – New edition ed., Boydell and Brewer, 2015, pp. 135–146, http://www.jstor.org/stable/10.7722/j.ctt1814gv6.18.

John C. G. Waterhouse. “The Music of Gordon Crosse.” The Musical Times, vol. 106, no. 1467, 1965, pp. 342–344., http://www.jstor.org/stable/948710.

Walsh, Stephen. “Gordon Crosse’s Violin Concerto No. 2.” Tempo, no. 92, 1970, pp. 34–36. New Series, http://www.jstor.org/stable/943184.

Keller, Hans. “The Contemporary Problem.” Tempo, no. 86, 1968, pp. 26–27., http://www.jstor.org/stable/944201.

Review: Ariadne, Concertante For Solo Oboe And 12 Players, Op. 31 By Gordon Cross. Custer, Arthur. “Notes.” Notes, vol. 31, no. 3, 1975, pp. 652–654., http://www.jstor.org/stable/896227.

Review: Ariadne, Ceremony, Some Marches on a Ground by Gordon Cross and Ouvert-Clos by Gordon Crosse. Pirie, Peter J. “Crosse.” The Musical Times, vol. 114, no. 1566, 1973, pp. 810–810., http://www.jstor.org/stable/957600.

Review: Unaccompanied Voices: A May Song By Gordon Crosse Ottaway, Hugh. “Unaccompanied Voices.” The Musical Times, vol. 112, no. 1535, 1971, pp. 67–67., http://www.jstor.org/stable/955734.

Crosse, Gordon, et al. “[Supplement]: Homage to Stravinsky.” Tempo, no. 81, 1967, http://www.jstor.org/stable/943888.

Review: Dickinson, Peter. “Modern Concertos.” The Musical Times, vol. 107, no. 1485, 1966, pp. 986–986., http://www.jstor.org/stable/954039. On the Concerto Da Camera Op. 6

Cole, Hugo. “The Story of Vasco.” The Musical Times, vol. 115, no. 1573, 1974, pp. 205–206., http://www.jstor.org/stable/958480.

“Beyond Cheltenham. Whatever Happened to the Cheltenham Symphony? Helen Wallace Examines the British Festival and Its Legacy.” The Musical Times, vol. 135, no. 1815, 1994, pp. 308–310., http://www.jstor.org/stable/1003186.

ReviewChanges – A Nocturnal Cycle Op. 17 Payne, Anthony. “The Musical Times.” The Musical Times, vol. 111, no. 1532, 1970, pp. 1006–1006., http://www.jstor.org/stable/957258.

Review: Wavesongs Antony Bye. “Tempo.” Tempo, no. 192, 1995, pp. 52–52., http://www.jstor.org/stable/946013.

Review: Corpus Christi Carol, Op. 5, Rats Away! and Three Inventions for Flute and Clarinet, Op. 3 Peter J. Pirie. “New English Music.” The Musical Times, vol. 107, no. 1482, 1966, pp. 706–707., http://www.jstor.org/stable/953150.

Review: Concerto Da Camera Op. 6 and Purgatory Op. 18 Schwartz, Elliott. “The Musical Quarterly.” The Musical Quarterly, vol. 63, no. 4, 1977, pp. 572–578., http://www.jstor.org/stable/741725.

Review: Carol for flute and piano, Op. 7 O’Loughlin, Niall. “Wind.” The Musical Times, vol. 107, no. 1477, 1966, pp. 240–240., http://www.jstor.org/stable/953396.

Review: Wavesongs Drakeford, Richard. “Middle-Aged Spread.” The Musical Times, vol. 137, no. 1838, 1996, pp. 32–33., http://www.jstor.org/stable/1003646.

Crosse, Gordon. Purgatory Op. 18 The Musical Times, vol. 107, no. 1481, 1966, pp. 588–590., http://www.jstor.org/stable/951952.

Review: Elegy for Small Orchestra Op. 1, Symphony No. 1 and Dreamsongs Op. 43 Northcott, Bayan. “Tempo.” Tempo, no. 137, 1981, pp. 49–51., http://www.jstor.org/stable/945656. Also Richard Swift. “Notes.” Notes, vol. 45, no. 3, 1989, pp. 620–622., http://www.jstor.org/stable/940828.

Review: The New World Aston, Peter. “New Music for Voice.” Music & Letters, vol. 57, no. 4, 1976, pp. 452–454., http://www.jstor.org/stable/734308.

Review: Kay, Norman. “Crosse’s ‘The Grace of Todd’.” Tempo, no. 90, 1969, pp. 32–34., http://www.jstor.org/stable/943351.

Review: Holly from the Bongs, Studies for String Quartet Set 1 Evans, Peter. “Music & Letters.” Music & Letters, vol. 59, no. 2, 1978, pp. 235–236., http://www.jstor.org/stable/734154.

Review: Ceremony Op. 19 M. T. “Cello and Orchestra.” Music & Letters, vol. 54, no. 4, 1973, pp. 501–502., http://www.jstor.org/stable/734449.

Review: Meet My Folks Op. 10 John C. G. Waterhouse. “For Children to Sing.” The Musical Times, vol. 106, no. 1472, 1965, pp. 785–786., http://www.jstor.org/stable/953649.

Smalley, Roger, et al. “Personal Viewpoints: Notes by Five Composers.” Tempo, no. 81, 1967, pp. 19–29., http://www.jstor.org/stable/943883.

Review: ‘Little Epiphany’ Variations Banfield, Stephen. “Music & Letters.” Music & Letters, vol. 64, no. 1/2, 1983, pp. 141–142., http://www.jstor.org/stable/735415.

Review Studies for String Quartet Set 2  Skei, Allen B. “Notes.” Notes, vol. 38, no. 1, 1981, pp. 167–169., http://www.jstor.org/stable/940468.

Review: Ariadne Op. 31 T. B. “Music & Letters.” Music & Letters, vol. 54, no. 3, 1973, pp. 372–373., http://www.jstor.org/stable/733736.

Review: Ouvert-clos, Op. 27 Taylor, Eric. “Orchestra.” Music & Letters, vol. 55, no. 1, 1974, pp. 122–124., http://www.jstor.org/stable/734352.

Review: Concerto Da Camera Op. 6 E. R. “Music & Letters.” Music & Letters, vol. 48, no. 2, 1967, pp. 181–183., http://www.jstor.org/stable/731653.

Review: Changes – A Nocturnal Cycle Op. 17 E. R. “Music & Letters.” Music & Letters, vol. 48, no. 3, 1967, pp. 296–297., http://www.jstor.org/stable/732745.